Jonathan Greenhause

Poetry, & Other Clearly Delusional States
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“The Secret Names of Objects”, Crannóg, 2018

February 5, 2019Metaphor, metaphysics, Poetry, Reincarnation, WritingCrannog, IrelandJonathan Greenhause

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← 3rd Prize in The 2017 Plough Prize’s Open Poem Competition, “Domestic Poxes” “You’re the deciduous forest”, Water~Stone Review, 2018 →

Recent Posts

  • “You Once Felt Gigantic”, New Ohio Review, Fall 2019, recent audio recording
  • “Consoling The Whims Of The Tiniest, Whiniest Dictators”, highly-commended for the 2021 Welsh Poetry Competition
  • “Eviction”, appearing online at New York Quarterly, 2021
  • “Babu Bangladesh!” by Numair Atif Choudhury
  • “Outside Greater L.A.”, highly-commended for the Ginkgo Prize for Ecopoetry, from The Poetry School
  • “Unwrapped”, from Fourteen Hills’ Zoom reading on May 28th, 2021
  • “How to Raise a Young Child”, longlisted for Regal House Publishing’s 2021 Terry J. Cox Poetry Award
  • My “Positively Poetry Reading Series” performance for the Hoboken Public Library’s National Library Week!
  • Check out the “Positively Poetry Reading Series” through the Hoboken Public Library!
  • “Exit the Town Drunk”, finalist for The New Guard’s Knightville Poetry Contest
  • “Combustible”, appearing online at “The Adriatic”
  • “How to Raise a Young Child”, finalist for the 2020 Codhill Press Pauline Uchmanowicz Poetry Award
  • “Dear Mom”, from Paterson Literary Review’s Zoom reading on March 6th, 2021
  • “Thanks a Lot, Shakespeare, for the Starling” (which first appeared in “America”) wins the Telluride Institute’s 2020 Fischer Poetry Prize
  • “Nothing in Life is Easy”, shortlisted for the 2020 Sexton Prize for Poetry
  • “Not for Sale,” shortlisted for the Times Literary Supplement’s 2019 Mick Imlah Poetry Prize
  • “Animal House,” selected for The Poetry Society’s “Zoo” competition, 2019
  • “To Sugarcoat the Truth,” selected for The Poetry Society’s “Truth” competition, 2019
  • Runner-Up in America’s 2019 Foley Poetry Contest: “Thanks a Lot, Shakespeare, for the Starling”
  • “Un incendio difícil de traducir”, Notre Dame Review, 2018, audio recording

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