Jonathan Greenhause

Poetry, & Other Clearly Delusional States
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“Pine Hills Review” interview, 2014, and “Please Hold the Doors”

October 8, 2017Interview, Metaphor, metaphysics, Poetry, WritingPine Hills ReviewJonathan Greenhause

INTERVIEW: http://pinehillsreview.strose.edu/qajonathangreenhause/

POEM: http://pinehillsreview.strose.edu/jonathangreenhause/

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← “It’s just another day in a state-sponsored democracy”, Gemini Magazine, 2016 Interview featured on Tŷ Newydd’s website for the 2017 Ledbury Poetry Competition →

Recent Posts

  • “Not for Sale,” shortlisted for the Times Literary Supplement’s 2019 Mick Imlah Poetry Prize
  • “This is Not a Pipe,” The Dalhousie Review, 2016
  • “Animal House,” selected for The Poetry Society’s “Zoo” competition, 2019
  • “To Sugarcoat the Truth,” selected for The Poetry Society’s “Truth” competition, 2019
  • Runner-Up in America’s 2019 Foley Poetry Contest: “Thanks a Lot, Shakespeare, for the Starling”
  • “Un incendio difícil de traducir”, Notre Dame Review, 2018, audio recording
  • Audio of “Fire Flowers”, RATTLE, 2014
  • Audio of 2017 Ledbury Poetry Competition Winners Event, “The fire escape, no longer weighed down”
  • “Water~Stone Review” interview, 2019
  • “You’re the deciduous forest”, Water~Stone Review, 2018
  • “The Secret Names of Objects”, Crannóg, 2018
  • 3rd Prize in The 2017 Plough Prize’s Open Poem Competition, “Domestic Poxes”
  • “Our Bodies Conjugated in the Possessive Tense”, The Fenland Reed, 2018
  • 2018 Aesthetica Creative Writing Award for “A poem written in my past life as a 15th-century Georgian monk” (which first appeared in “The Rialto”)
  • Interview featured on Tŷ Newydd’s website for the 2017 Ledbury Poetry Competition
  • “Pine Hills Review” interview, 2014, and “Please Hold the Doors”
  • “It’s just another day in a state-sponsored democracy”, Gemini Magazine, 2016
  • “El pasado convertido en fiera”, Prism Review, 2013
  • “Our Recurring List of Heartbreaks”, Southword Journal, 2016
  • “Reggie ordered a package of miniature people”, Dunes Review, 2017

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